Physicality
The world is tangible. Weather matters. Distance matters. Labor matters. The body matters. Characters don't simply think—they travel, climb, freeze, hunt, sail, fight, or survive.
ConquistadoreFilms
Contribute
New World is the literary journal of Conquistadore Films. It publishes fiction and occasional creative nonfiction that immerse readers in compelling worlds through physical journeys, intellectual seriousness, and cinematic imagination.
The journal exists to discover, develop, and celebrate stories that reveal extraordinary places, cultures, ideas, and human experiences through singular, purposeful narratives.
Editorial Principles
The world is tangible. Weather matters. Distance matters. Labor matters. The body matters. Characters don't simply think—they travel, climb, freeze, hunt, sail, fight, or survive.
The setting isn't interchangeable. You couldn't move Endurance to the Sahara. You couldn't move The Old Man and the Sea to London. The geography shapes the story.
Even the adventurous stories are asking genuine questions. They're not simply thrill rides.
As you've pointed out, mythology isn't necessarily aesthetic. It's structural. The physical journey becomes a philosophical journey.
Every story should make the editor think, "I'd love to see this as a film." Not because it's action-packed. Because it's visual, dramatic, and inhabitable.
This might actually be the biggest one. Nearly every story introduces the reader to something unfamiliar. A culture. A landscape. An era. An idea. A profession. A philosophy. The reader leaves feeling that their world has become larger.
Forms we are looking for
Simultaneous submissions are accepted.
Send work via Word document, Docs document, TXT, or PDF.
For our inaugural volume, we will consider select reprints of exceptional quality.
We pay $150 for short story contributions and $150 for creative nonfiction.
Visual Contributors
New World publishes photography and illustration that reveals the world as larger, older, stranger, and more beautiful than everyday life suggests. We seek work with atmosphere, physical texture, a specific sense of place, and an invitation to discovery.
Images should feel lived in rather than designed, timeless rather than fashionable, and rooted in real landscapes, cultures, histories, and human experience. We value mystery over explanation, substance over spectacle, and worlds that continue beyond the edge of the frame.
Fog, rain, smoke, dust, snow, mist, dramatic or unusual light, silence, tension, anticipation, and images that linger emotionally.
Stone, wood, rust, paper, leather, cloth, fire, water, ice, earth, weathering, imperfections, photographic grain, artifacts, stains, film photography, and organic colors.
Specific cultures and landscapes, real or fictional. Architecture rooted in history, geography with identity, local objects, visual traditions, and images that could not have been made anywhere.
Work that invites questions instead of answering them: hidden stories, forgotten places, unusual rituals, and unexpected perspectives.
Vast landscapes, tiny figures against enormous environments, ancient structures, oceans, mountains, deserts, and forests.
People engaged in meaningful work, travel, exploration, craftsmanship, survival, pilgrimage, warfare, ritual, and daily life with dignity.
Minimal modern visual clutter: little plastic, LED lighting, advertising, corporate branding, smartphones, or contemporary consumer culture.
Images that could almost be film frames: strong silhouettes, layered depth, dramatic skies, natural framing, large negative space, controlled color, and intentional shadows.
Images that hint at history, folklore, exploration, philosophy, conquest, pilgrimage, frontiers, civilizations, or forgotten knowledge.
Images dense with ornament, maps, manuscripts, forests, illuminated borders, calligraphy, architecture, machinery, clothing, weather, texture, symbols, or layered information.
Submissions
New World accepts pitches, finished fiction, occasional creative nonfiction, field notes, artwork, maps, and publication ideas that belong near borders, expeditions, night work, weather, myth, transit, and difficult crossings.